The George Gallery

TOM STANLEY

Tom Stanley was born in Fort Hood, Texas and grew up in Concord, N.C. before graduating with a B.A. in Art from Sacred Heart College in 1972. After serving two years alternative service in lieu of induction, he took on positions in New York City working in the design industry. He then continued his artistic education, receiving an M.A. in applied art history and an M.F.A. in painting from the University of South Carolina in 1980.

As a practicing artist, Stanley began explorations into visual art and music as early as 1960 with painted impressions of familiar musical forms. His work relies upon personal memory, an interest in contemporary folk art imagery, and hands-on experience as points of artistic departure. He often works within an established series, and much of his technique is based in common graphic strategies such as mechanical drawing, silhouette, and sgraffito. He then implements these devices to create imagery completely unique to his own vision.

Stanley has served on the faculties of Arkansas College (now Lyon College) in Batesville, Ark.; Barry University in Miami, Fla.; and Livingstone College in Salisbury, N.C. In 1985 he returned to the Carolinas to become director of the Waterworks Visual Arts Center in Salisbury, NC and in 1990 he became the first director of Winthrop University’s Galleries in Rock Hill, SC. In addition to continuing his fine art practice, Stanley held a position as chair of the Department of Fine Arts at Winthrop University from 2007-2017.

In recent years, Tom Stanley’s artwork has been exhibited at Barbara Archer Gallery in Atlanta, Ga., the Southeastern Center for Contemporary Art in Winston-Salem, N.C., Gallery twenty-four in Berlin, and Musée de la Halle Saint Pierre in Paris. In 2004, his “Floating” series was exhibited at the New Orleans Center for Creative Arts before traveling to the South Carolina State Museum’s Triennial Exhibition in 2005. In 2017, The Halsey Institute of Contemporary Art at The College of Charleston hosted the mid-career retrospective for the artist, Tom Stanley, Scratching the Surface. In 2018, he served as an artist in residency at the Gibbes Museum of Art, Charleston, SC, and he is currently participating in an eight month residency at the McColl Center for Art + Innovation in Charlotte, NC where he also serves as a visiting curator.

 tom-stanley

NEW FLOATING #4

12.5″ x 20″ acrylic on canvas $1200

available to view in CHARLESTON

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BRYCE SPEED BIOGRAPHY

Born in Hattiesburg, Mississippi in 1978, Bryce Speed completed his B.F.A. in painting and drawing from the University of Mississippi in 1999 and continued his studies to eventually receive his M.F.A. in painting from the University of Alabama in Tuscaloosa in 2005. After finishing his education Speed completed a six-week artist in residency program at the Kimmel Harding Nelson Center for the Arts in Nebraska City, Nebraska. From then on Speed’s work has been included in numerous exhibitions over the past decade.

In 2006 and 2011 his work was selected for publication in New American Paintings Southeastern and Western editions. In 2014, he was part of a three-person exhibition at HERE Art Center in New York, NY, titled Suburbia: Is Anyone There? In 2015-16 he exhibited at the Royal Scottish Academy Open Exhibition in Edinburgh, Scotland and at the Visual Art Exchange’s Contemporary South Exhibition in Raleigh, NC. In 2017, he held a solo exhibition at the North Wall Arts Center in Oxford, UK. In 2022 his work was curated into the exhibition A Plot, Hatched by Two at the Warbling Collective in London and his work was curated in to Art of the South 2022 at the Zeitgeist Gallery in Nashville. He is currently represented by The George Gallery, Charleston SC and Charlotte NC, and the Cole Pratt Gallery in New Orleans, LA.

Speed resides in Tuscaloosa, Alabama where he has been an Associate Professor of Art in Painting at the University of Alabama since 2014. The Mississippi native previously taught at University of Nebraska at Omaha and Central Community College in Columbus, Nebraska.

Bryce Speed is a multi-medium painter whose work focuses on speaking the unspoken language of visual art through his abstract images. In a recent statement Speed said, “I create paintings that are simultaneously both abstract and representational. These works are occupied with a larger idea of structure and parts, creating an image of containment and movement. Each piece uses a personal pictogram language that is steeped in the intersectionality of nostalgia, identity, and early twentieth century abstraction. Through this visual language, I seek to classify and organize the memories and experiences that pervade the everyday.”

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BRYCE SPEED BIOGRAPHY

Born in Hattiesburg, Mississippi in 1978, Bryce Speed completed his B.F.A. in painting and drawing from the University of Mississippi in 1999 and continued his studies to eventually receive his M.F.A. in painting from the University of Alabama in Tuscaloosa in 2005. After finishing his education Speed completed a six-week artist in residency program at the Kimmel Harding Nelson Center for the Arts in Nebraska City, Nebraska. From then on Speed’s work has been included in numerous exhibitions over the past decade.

In 2006 and 2011 his work was selected for publication in New American Paintings Southeastern and Western editions. In 2014, he was part of a three-person exhibition at HERE Art Center in New York, NY, titled Suburbia: Is Anyone There? In 2015-16 he exhibited at the Royal Scottish Academy Open Exhibition in Edinburgh, Scotland and at the Visual Art Exchange’s Contemporary South Exhibition in Raleigh, NC. In 2017, he held a solo exhibition at the North Wall Arts Center in Oxford, UK. In 2022 his work was curated into the exhibition A Plot, Hatched by Two at the Warbling Collective in London and his work was curated in to Art of the South 2022 at the Zeitgeist Gallery in Nashville. He is currently represented by The George Gallery, Charleston SC and Charlotte NC, and the Cole Pratt Gallery in New Orleans, LA.

Speed resides in Tuscaloosa, Alabama where he has been an Associate Professor of Art in Painting at the University of Alabama since 2014. The Mississippi native previously taught at University of Nebraska at Omaha and Central Community College in Columbus, Nebraska.

Bryce Speed is a multi-medium painter whose work focuses on speaking the unspoken language of visual art through his abstract images. In a recent statement Speed said, “I create paintings that are simultaneously both abstract and representational. These works are occupied with a larger idea of structure and parts, creating an image of containment and movement. Each piece uses a personal pictogram language that is steeped in the intersectionality of nostalgia, identity, and early twentieth century abstraction. Through this visual language, I seek to classify and organize the memories and experiences that pervade the everyday.”

BACK TO ARTIST

TOM STANLEY BIOGRAPHY

Tom Stanley is a visual artist. After earning an MA in Applied Art History and an MFA in Painting from the University of South Carolina in 1980, he served on the faculties of Arkansas College (now Lyon College) in Batesville, Arkansas and Barry University in Miami, Florida. He was director of the Waterworks Visual Arts Center in Salisbury, North Carolina, from 1985 until 1990 when he became the first full-time director of Winthrop University Galleries in Rock Hill, South Carolina. For 10 years he served as chair of Winthrop’s Department of Fine Arts until his retirement in 2017.  

Stanley works in series with limitations of size, color and imagery.  He uses recurring shapes such as triangles and figurative elements of houses and boats. Typical media are acrylic on canvas or on paper. Although using common graphic strategies like mechanical drawing, silhouette, and sgraffito, his painting is reliant on evolving techniques that he has discovered in the process of making.  

His 2004 Floating series was exhibited at the New Orleans Center for Creative Arts. He has exhibited internationally at gallery twenty-four, Berlin; La Galerie du Marché, Lausanne; Musée de la Halle Saint Pierre, Paris; and the University of Porto’s Casa-Museu Abel Salazar, Portugal.  His exhibition Tom Stanley: Scratching the Surface was featured at the Halsey Institute of Contemporary Art in 2017, Charleston, South Carolina.

Since 2007 he has worked on public art projects including elements for the CATS light rail Tom Hunter Station in Charlotte. Several of the projects including Time Further Out in Mathews and Journey in Raleigh were in collaboration with colleague Shaun Cassidy. Stanley is a recipient of Winthrop University’s Medal of Honor in the Arts, and the Governor’s Award in the Arts (formerly the Verner). In spring 2018 he completed a six-week residency as visiting artist at the Gibbes Museum of Art in Charleston, and worked with Casa-Museu Abel Salazar, University of Porto in Portugal, on a temporary site project for their chapel, Layers: On-Site Installation. In April 2019 he completed an 8-month residency at the McColl Center for Art + Innovation where he also served as visiting curator. In February 2020 Stanley was a fellow at the Virginia Center for the Creative Arts in Amherst.

Current activities include an ASC public art commission for a City of Charlotte Infrastructure Improvement Project along Tom Hunter Road in the Hidden Valley neighborhood, and co-curated with Lia Newman the exhibition True Likeness at Davidson College’s Van Every Smith Galleries which is now traveling in the U.S. In 2021 he exhibited his own work Typical Trees and Other Small Works at The George Gallery.

BIG LOT PAINTING #9

12″ x 12″ acrylic on canvas $400

available to view in CHARLESTON

INQUIRE ABOUT THIS PIECE

BRYCE SPEED BIOGRAPHY

Born in Hattiesburg, Mississippi in 1978, Bryce Speed completed his B.F.A. in painting and drawing from the University of Mississippi in 1999 and continued his studies to eventually receive his M.F.A. in painting from the University of Alabama in Tuscaloosa in 2005. After finishing his education Speed completed a six-week artist in residency program at the Kimmel Harding Nelson Center for the Arts in Nebraska City, Nebraska. From then on Speed’s work has been included in numerous exhibitions over the past decade.

In 2006 and 2011 his work was selected for publication in New American Paintings Southeastern and Western editions. In 2014, he was part of a three-person exhibition at HERE Art Center in New York, NY, titled Suburbia: Is Anyone There? In 2015-16 he exhibited at the Royal Scottish Academy Open Exhibition in Edinburgh, Scotland and at the Visual Art Exchange’s Contemporary South Exhibition in Raleigh, NC. In 2017, he held a solo exhibition at the North Wall Arts Center in Oxford, UK. In 2022 his work was curated into the exhibition A Plot, Hatched by Two at the Warbling Collective in London and his work was curated in to Art of the South 2022 at the Zeitgeist Gallery in Nashville. He is currently represented by The George Gallery, Charleston SC and Charlotte NC, and the Cole Pratt Gallery in New Orleans, LA.

Speed resides in Tuscaloosa, Alabama where he has been an Associate Professor of Art in Painting at the University of Alabama since 2014. The Mississippi native previously taught at University of Nebraska at Omaha and Central Community College in Columbus, Nebraska.

Bryce Speed is a multi-medium painter whose work focuses on speaking the unspoken language of visual art through his abstract images. In a recent statement Speed said, “I create paintings that are simultaneously both abstract and representational. These works are occupied with a larger idea of structure and parts, creating an image of containment and movement. Each piece uses a personal pictogram language that is steeped in the intersectionality of nostalgia, identity, and early twentieth century abstraction. Through this visual language, I seek to classify and organize the memories and experiences that pervade the everyday.”

BACK TO ARTIST

INQUIRE ABOUT THIS PIECE

BRYCE SPEED BIOGRAPHY

Born in Hattiesburg, Mississippi in 1978, Bryce Speed completed his B.F.A. in painting and drawing from the University of Mississippi in 1999 and continued his studies to eventually receive his M.F.A. in painting from the University of Alabama in Tuscaloosa in 2005. After finishing his education Speed completed a six-week artist in residency program at the Kimmel Harding Nelson Center for the Arts in Nebraska City, Nebraska. From then on Speed’s work has been included in numerous exhibitions over the past decade.

In 2006 and 2011 his work was selected for publication in New American Paintings Southeastern and Western editions. In 2014, he was part of a three-person exhibition at HERE Art Center in New York, NY, titled Suburbia: Is Anyone There? In 2015-16 he exhibited at the Royal Scottish Academy Open Exhibition in Edinburgh, Scotland and at the Visual Art Exchange’s Contemporary South Exhibition in Raleigh, NC. In 2017, he held a solo exhibition at the North Wall Arts Center in Oxford, UK. In 2022 his work was curated into the exhibition A Plot, Hatched by Two at the Warbling Collective in London and his work was curated in to Art of the South 2022 at the Zeitgeist Gallery in Nashville. He is currently represented by The George Gallery, Charleston SC and Charlotte NC, and the Cole Pratt Gallery in New Orleans, LA.

Speed resides in Tuscaloosa, Alabama where he has been an Associate Professor of Art in Painting at the University of Alabama since 2014. The Mississippi native previously taught at University of Nebraska at Omaha and Central Community College in Columbus, Nebraska.

Bryce Speed is a multi-medium painter whose work focuses on speaking the unspoken language of visual art through his abstract images. In a recent statement Speed said, “I create paintings that are simultaneously both abstract and representational. These works are occupied with a larger idea of structure and parts, creating an image of containment and movement. Each piece uses a personal pictogram language that is steeped in the intersectionality of nostalgia, identity, and early twentieth century abstraction. Through this visual language, I seek to classify and organize the memories and experiences that pervade the everyday.”

BACK TO ARTIST

TOM STANLEY BIOGRAPHY

Tom Stanley is a visual artist. After earning an MA in Applied Art History and an MFA in Painting from the University of South Carolina in 1980, he served on the faculties of Arkansas College (now Lyon College) in Batesville, Arkansas and Barry University in Miami, Florida. He was director of the Waterworks Visual Arts Center in Salisbury, North Carolina, from 1985 until 1990 when he became the first full-time director of Winthrop University Galleries in Rock Hill, South Carolina. For 10 years he served as chair of Winthrop’s Department of Fine Arts until his retirement in 2017.  

Stanley works in series with limitations of size, color and imagery.  He uses recurring shapes such as triangles and figurative elements of houses and boats. Typical media are acrylic on canvas or on paper. Although using common graphic strategies like mechanical drawing, silhouette, and sgraffito, his painting is reliant on evolving techniques that he has discovered in the process of making.  

His 2004 Floating series was exhibited at the New Orleans Center for Creative Arts. He has exhibited internationally at gallery twenty-four, Berlin; La Galerie du Marché, Lausanne; Musée de la Halle Saint Pierre, Paris; and the University of Porto’s Casa-Museu Abel Salazar, Portugal.  His exhibition Tom Stanley: Scratching the Surface was featured at the Halsey Institute of Contemporary Art in 2017, Charleston, South Carolina.

Since 2007 he has worked on public art projects including elements for the CATS light rail Tom Hunter Station in Charlotte. Several of the projects including Time Further Out in Mathews and Journey in Raleigh were in collaboration with colleague Shaun Cassidy. Stanley is a recipient of Winthrop University’s Medal of Honor in the Arts, and the Governor’s Award in the Arts (formerly the Verner). In spring 2018 he completed a six-week residency as visiting artist at the Gibbes Museum of Art in Charleston, and worked with Casa-Museu Abel Salazar, University of Porto in Portugal, on a temporary site project for their chapel, Layers: On-Site Installation. In April 2019 he completed an 8-month residency at the McColl Center for Art + Innovation where he also served as visiting curator. In February 2020 Stanley was a fellow at the Virginia Center for the Creative Arts in Amherst.

Current activities include an ASC public art commission for a City of Charlotte Infrastructure Improvement Project along Tom Hunter Road in the Hidden Valley neighborhood, and co-curated with Lia Newman the exhibition True Likeness at Davidson College’s Van Every Smith Galleries which is now traveling in the U.S. In 2021 he exhibited his own work Typical Trees and Other Small Works at The George Gallery.