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alexDollard

OLD ECSTASIES

48″ x 48″ acrylic, oil, marker on canvas $2500

available to view in CHARLOTTE

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ALAN TAYLOR JEFFRIES BIOGRAPHY

An Ohio native and graduate of Ohio University, Alan Taylor Jeffries currently resides in West Virginia. He is a self-taught abstract/nonrepresentational painter working in both oil and acrylic, and was invited to be one of The George Gallery’s original artists. He is also represented by three additional galleries and his work can be found in private and corporate collections in the US and Europe.

Jeffries says of his work, “Long before I began painting, abstract has always been my favorite style, particularly the work of first-generation Abstract Expressionists like De Kooning and Kline, so it was natural for me to study and emulate their work. A leading critic/art theorist of that time discarded notions that a painting must ‘mean’ something or ‘be’ anything other than gestures and colors on a surface and that has always been a guiding principle for me. My paintings are simply the application of paint on canvas intended to evoke a purely aesthetic response.”

Sept. 2009—”Emerging Artists” group exhibition, Artworks Around Town, Wheeling, West Virginia, USA Jan. 12-Feb. 25 2012—”Collective Conscious: Unified Planes” group exhibition, Gate Gallery, Grimsby, North East Lincolnshire, England May 1-July 2 2013–“Dali Through the Window” group exhibition, Gallery J2, Scottsdale, Arizona, USA June 13-June 30 2014 “CONTRAST” group exhibition, The George Gallery, Charleston, South Carolina, USA December 10 2015, group exhibition, Contemporain Bankston/Adams Gallery, Baton Rouge, Louisiana, USA.

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ILLUSION OF KNOWLEDGE

48″ x 48″ acrylic and charcoal on canvas $2500

available to view in CHARLESTON

INQUIRE ABOUT THIS PIECE >>



ALAN TAYLOR JEFFRIES BIOGRAPHY

An Ohio native and graduate of Ohio University, Alan Taylor Jeffries currently resides in West Virginia. He is a self-taught abstract/nonrepresentational painter working in both oil and acrylic, and was invited to be one of The George Gallery’s original artists. He is also represented by three additional galleries and his work can be found in private and corporate collections in the US and Europe.

Jeffries says of his work, “Long before I began painting, abstract has always been my favorite style, particularly the work of first-generation Abstract Expressionists like De Kooning and Kline, so it was natural for me to study and emulate their work. A leading critic/art theorist of that time discarded notions that a painting must ‘mean’ something or ‘be’ anything other than gestures and colors on a surface and that has always been a guiding principle for me. My paintings are simply the application of paint on canvas intended to evoke a purely aesthetic response.”

Sept. 2009—”Emerging Artists” group exhibition, Artworks Around Town, Wheeling, West Virginia, USA Jan. 12-Feb. 25 2012—”Collective Conscious: Unified Planes” group exhibition, Gate Gallery, Grimsby, North East Lincolnshire, England May 1-July 2 2013–“Dali Through the Window” group exhibition, Gallery J2, Scottsdale, Arizona, USA June 13-June 30 2014 “CONTRAST” group exhibition, The George Gallery, Charleston, South Carolina, USA December 10 2015, group exhibition, Contemporain Bankston/Adams Gallery, Baton Rouge, Louisiana, USA.

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I KNOW WHAT I KNOW

48″ x 48″ acrylic, oil, charcoal on canvas $2500

available to view in CHARLESTON

INQUIRE ABOUT THIS PIECE >>



ALAN TAYLOR JEFFRIES BIOGRAPHY

An Ohio native and graduate of Ohio University, Alan Taylor Jeffries currently resides in West Virginia. He is a self-taught abstract/nonrepresentational painter working in both oil and acrylic, and was invited to be one of The George Gallery’s original artists. He is also represented by three additional galleries and his work can be found in private and corporate collections in the US and Europe.

Jeffries says of his work, “Long before I began painting, abstract has always been my favorite style, particularly the work of first-generation Abstract Expressionists like De Kooning and Kline, so it was natural for me to study and emulate their work. A leading critic/art theorist of that time discarded notions that a painting must ‘mean’ something or ‘be’ anything other than gestures and colors on a surface and that has always been a guiding principle for me. My paintings are simply the application of paint on canvas intended to evoke a purely aesthetic response.”

Sept. 2009—”Emerging Artists” group exhibition, Artworks Around Town, Wheeling, West Virginia, USA Jan. 12-Feb. 25 2012—”Collective Conscious: Unified Planes” group exhibition, Gate Gallery, Grimsby, North East Lincolnshire, England May 1-July 2 2013–“Dali Through the Window” group exhibition, Gallery J2, Scottsdale, Arizona, USA June 13-June 30 2014 “CONTRAST” group exhibition, The George Gallery, Charleston, South Carolina, USA December 10 2015, group exhibition, Contemporain Bankston/Adams Gallery, Baton Rouge, Louisiana, USA.

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ARTIFICE

36″ x 36″ oil and marker on canvas $1500

available to view in CHARLESTON

INQUIRE ABOUT THIS PIECE >>



ALAN TAYLOR JEFFRIES BIOGRAPHY

An Ohio native and graduate of Ohio University, Alan Taylor Jeffries currently resides in West Virginia. He is a self-taught abstract/nonrepresentational painter working in both oil and acrylic, and was invited to be one of The George Gallery’s original artists. He is also represented by three additional galleries and his work can be found in private and corporate collections in the US and Europe.

Jeffries says of his work, “Long before I began painting, abstract has always been my favorite style, particularly the work of first-generation Abstract Expressionists like De Kooning and Kline, so it was natural for me to study and emulate their work. A leading critic/art theorist of that time discarded notions that a painting must ‘mean’ something or ‘be’ anything other than gestures and colors on a surface and that has always been a guiding principle for me. My paintings are simply the application of paint on canvas intended to evoke a purely aesthetic response.”

Sept. 2009—”Emerging Artists” group exhibition, Artworks Around Town, Wheeling, West Virginia, USA Jan. 12-Feb. 25 2012—”Collective Conscious: Unified Planes” group exhibition, Gate Gallery, Grimsby, North East Lincolnshire, England May 1-July 2 2013–“Dali Through the Window” group exhibition, Gallery J2, Scottsdale, Arizona, USA June 13-June 30 2014 “CONTRAST” group exhibition, The George Gallery, Charleston, South Carolina, USA December 10 2015, group exhibition, Contemporain Bankston/Adams Gallery, Baton Rouge, Louisiana, USA.

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PINK LOVE

47” x 39” Acrylic on canvas $5800

available to view in CHARLOTTE

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The often bright and gestural paintings of Yvonne Robert result from an intuitive approach to color and composition. Her spontaneity of conception and dynamic gesture is void of complex references and their associated meanings. Instead she is steadfast in her commitment to universal concepts of form, mass, proportion, rhythm and structure, which constitute a common thread in her work. Above all, she is motivated by color, and her use of it is practiced and studied. Art, other artists and her environment are all constant sources of inspiration. Robert grew up in a family of artists and found home-life aesthetically stimulating and informative. She remembers her parents often discussing the notions of color and form, and she was fascinated by the patterns and motifs of the 1960’s that filled her home. These early influences perhaps motivated Robert to pursue a career initially in graphic design and subsequently in fine art, the origins of which certain motifs in her current work could possibly be traced. Importantly, however, when Robert observes her environment, she perceives color first and foremost – a person’s hair in combination with the color of their skin and their scarf, an old bike that someone has painted in a creamy light grey with a new brown leather seat; sheep in the pastures, the lake, the sky, the mountains; how different the shades of blue are that interplay with each other in the sky, and how endless the combinations seem. Yvonne Robert, born1972, grew up in Germany and has now lived in Zurich for several years. She has exhibited internationally in New York, Valencia, Madrid, Barcelona, London, Paris, Berlin and Zurich. Her work is held in private collections in the US, Spain, UK, France, Austria, Germany and Switzerland.

NUMBERS 05

73” x 57” Acrylic on canvas $8800

available to view in CHARLOTTE

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YVONNE ROBERT BIOGRAPHY

The often bright and gestural paintings of Yvonne Robert result from an intuitive approach to color and composition. Her spontaneity of conception and dynamic gesture is void of complex references and their associated meanings. Instead she is steadfast in her commitment to universal concepts of form, mass, proportion, rhythm and structure, which constitute a common thread in her work. Above all, she is motivated by color, and her use of it is practiced and studied. Art, other artists and her environment are all constant sources of inspiration. Robert grew up in a family of artists and found home-life aesthetically stimulating and informative. She remembers her parents often discussing the notions of color and form, and she was fascinated by the patterns and motifs of the 1960’s that filled her home. These early influences perhaps motivated Robert to pursue a career initially in graphic design and subsequently in fine art, the origins of which certain motifs in her current work could possibly be traced. Importantly, however, when Robert observes her environment, she perceives color first and foremost – a person’s hair in combination with the color of their skin and their scarf, an old bike that someone has painted in a creamy light grey with a new brown leather seat; sheep in the pastures, the lake, the sky, the mountains; how different the shades of blue are that interplay with each other in the sky, and how endless the combinations seem. Yvonne Robert, born1972, grew up in Germany and has now lived in Zurich for several years. She has exhibited internationally in New York, Valencia, Madrid, Barcelona, London, Paris, Berlin and Zurich. Her work is held in private collections in the US, Spain, UK, France, Austria, Germany and Switzerland.

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NUMBERS 01

39” x 59” Acrylic on canvas $6800

available to view in CHARLOTTE

INQUIRE ABOUT THIS PIECE >>



The often bright and gestural paintings of Yvonne Robert result from an intuitive approach to color and composition. Her spontaneity of conception and dynamic gesture is void of complex references and their associated meanings. Instead she is steadfast in her commitment to universal concepts of form, mass, proportion, rhythm and structure, which constitute a common thread in her work. Above all, she is motivated by color, and her use of it is practiced and studied. Art, other artists and her environment are all constant sources of inspiration. Robert grew up in a family of artists and found home-life aesthetically stimulating and informative. She remembers her parents often discussing the notions of color and form, and she was fascinated by the patterns and motifs of the 1960’s that filled her home. These early influences perhaps motivated Robert to pursue a career initially in graphic design and subsequently in fine art, the origins of which certain motifs in her current work could possibly be traced. Importantly, however, when Robert observes her environment, she perceives color first and foremost – a person’s hair in combination with the color of their skin and their scarf, an old bike that someone has painted in a creamy light grey with a new brown leather seat; sheep in the pastures, the lake, the sky, the mountains; how different the shades of blue are that interplay with each other in the sky, and how endless the combinations seem. Yvonne Robert, born1972, grew up in Germany and has now lived in Zurich for several years. She has exhibited internationally in New York, Valencia, Madrid, Barcelona, London, Paris, Berlin and Zurich. Her work is held in private collections in the US, Spain, UK, France, Austria, Germany and Switzerland.

NEW WORK 01

47” x 39” Acrylic on canvas $5800

available to view in CHARLOTTE

INQUIRE ABOUT THIS PIECE >>



The often bright and gestural paintings of Yvonne Robert result from an intuitive approach to color and composition. Her spontaneity of conception and dynamic gesture is void of complex references and their associated meanings. Instead she is steadfast in her commitment to universal concepts of form, mass, proportion, rhythm and structure, which constitute a common thread in her work. Above all, she is motivated by color, and her use of it is practiced and studied. Art, other artists and her environment are all constant sources of inspiration. Robert grew up in a family of artists and found home-life aesthetically stimulating and informative. She remembers her parents often discussing the notions of color and form, and she was fascinated by the patterns and motifs of the 1960’s that filled her home. These early influences perhaps motivated Robert to pursue a career initially in graphic design and subsequently in fine art, the origins of which certain motifs in her current work could possibly be traced. Importantly, however, when Robert observes her environment, she perceives color first and foremost – a person’s hair in combination with the color of their skin and their scarf, an old bike that someone has painted in a creamy light grey with a new brown leather seat; sheep in the pastures, the lake, the sky, the mountains; how different the shades of blue are that interplay with each other in the sky, and how endless the combinations seem. Yvonne Robert, born1972, grew up in Germany and has now lived in Zurich for several years. She has exhibited internationally in New York, Valencia, Madrid, Barcelona, London, Paris, Berlin and Zurich. Her work is held in private collections in the US, Spain, UK, France, Austria, Germany and Switzerland.

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